Description
Margarita draws on the experience of Michel Foucault, on his analysis of the relationship between painting as an object and painting as an illusory volume, updated by the Impressionists. She doesn’t paint portraits in the usual sense, but she creates a reason to doubt the usual interpretation. Margarita discards traditional aesthetic gradations, creating a painting-an object with which the viewer independently makes eye contact.
Reviews
There are no reviews yet.